Interior Technologies

     Innovative Renovation Restoration & Maintenance

 
 
Services
Carpet Selection
Fiber Considerations
Carpet Care
Soiling & Remedies
Cleaning Systems
Flood Restoration
Carpet  Programs
Spot Cleaning Guide
Return on Investment
Links
---
Contact
Mission
History
 
Carpet Selection

Five Important Considerations
When Selecting & Buying New Carpet

bar
 

Application, Design, Construction, Installation, & Maintenance

 

Application

How will the area to be carpeted be used? What are your trying to acomplish by carpeting the space? If the purpose is a hardy floor covering to absorb sound and make passage safer yet must endure a lot of traffic you will go towards the multilevel loop carpets. If the pupose is to soften the room and you may be living on the carpet you would want to select a soft dense cut pile carpeting. 

Design

The design of a carpet is the combination of the colors and textures that compose the face of the carpet structure.  Some are more apropriate for high traffic and others can create a soft comfortable feel. The selection process should first define the application of the carpet.

Construction

The construction of carpet combines yarn and other materials in a variety of ways. Most carpet in use today is tufted carpeting. This process uses a large loom that has what is similar to sewing machine needles arranged in a 6 foot to 12 foot wide array. These needles basically sew carpet yarn into a backing material. The process leaves loops of a pre-determined length set down in a continuous process. These yarn loops are then glued to the backing material and then the carpet may go through additional processing to create other surface textures. 

A second method of carpet construction is the age old original woven carpeting.

What is the Basic Difference Between Tufted and Woven Construction?

Tufted is the most common method for both wool and nylon carpet.  Pile yarns are punched through a primary backing fabric in needles to form loops.  An adhesive coating, usually latex, is applied to the reverse side to anchor tufts in position and to laminate a secondary backing fabric.  Many patterns and textures are available including cut, loop, cut & loop, and sliding needlebar.

Woven can be used for both wool and nylon carpet.  Pile yarns and backings are woven at the same time from a system of warp (length) and weft (width) yarns, which means there is no secondary backing.  Pile yarns are always part of the warp system on the loom.  More versatile patterns and textures are available.

From the end users viewpoint the differences are noticed in the pile or the yarn surface of the carpeting. Carpet pile is divided into three categories; Loop, Cut Pile and a combination of the two. How these surfaces are constructed varies a bit, so lets look at the surface appearance first.

     Pile Types

Loop Pile   

Yarn is stitched into a heavy material called the backing. The loops vary in height and width according to the stitch rate and space between stitches. The pile is very durable because each  loop of yarn is anchored through the backing of the carpeting at both ends.  This makes a long lasting face construction. With both ends of the yarn anchored in the backing the yarn holds its twist and acts like a spring, bouncing back after traffic over and over.  

 

Level Loop Pile   

 When the stitch rates and loop lengths are consistent it  forms a  pile with a very level surface in which all the loops are the same height, hence the name level loop. 

Multi Level or Sculptured Loop Pile        

Loops are tufted with different heights creating a pattern of lows and highs.

 Sculptured Loop Pile 

Cut pile        

In this type of construction the loops that were tufted are cut during the manufacturing process. What remains on the face is the ends of the yarn. This produces a softer feel and a different look. The downside is that cut pile carpet will not perform as well as loop carpeting. The ends of the yarns  will unravel over time and mushroom and mat down. This process can be slowed by proper maintenance but it will occur over time regardless of how well the carpet is maintained. The velvet plush has very little if any yarn twist making it the softest feel of any pile.

 Saxony Cut Pile  

This variation of the cut pile retains the yarns individual twists. The pile itself shows the yarn ends. Another variation is the shag carpet that was popular in the middle of the 20th century.

 

Frise' Cut Pile   

This is another variation of the cut pile carpeting where the ends of the yarns are given a twist adding texture to the surface. This helps to hide foot traffic and wear.

Shag Pile

This is like the Saxony cut pile but the yarns are longer and thicker. Some shags have a look like mops they are so long and thick.

Combination Cut and Loop

  

 This type of pile is formed by combining loop and cut tufts and enables all kinds of  designs and patterns to be formed by the arrangement of loops and tufts.

During manufacturing, the pile is made with looped areas that are longer than others and these longer loops are cut to the same height as the other loops to give a flat surface or to a different height to give a sculptured surface.

Pile Components

After yarn, pile construction is the second qualitative factor in carpets. The technical design of the pile is what gives it its performance in terms of appearance, durability and wear-resistance.

Five parameters dictate the parameters: yarn count, pile weight, gauge/rows, stitches/picks and pile height.

The specific technical expertise and know-how of each carpet manufacturer are brought to bear on pile construction: this means a harmonious combination of these 5 parameters to obtain a qualitative level designed to meet the usage and traffic conditions for which the carpet is intended.

As the most widely produced type, tufted carpets can be used to illustrate the main points in understanding how pile is constructed.

Fibers are covered more extensively in the Fibers section of this site.  For our construction considerations we need to know that fibers are combined to form bundles of fibers we call yarn. It is these yarns that are used to make carpeting. 

When we consider the fiber that composes yarn it will fall into the natural and synthetic categories. Then we need to consider weather it is continuous filament or staple yarns. Continuous filaments are found only in silk natural fibers, and Synthetic fibers. These fibers of both types are then twisted together to form the bundle that composes the yarn.

                                               Yarn

After the fibers or filaments are bundled together into yarns they are stretched to align the molecules and improve the strength of the yarn. The yarn is sometimes twisted, sometimes crimped and then set with heat so it will retain its shape and twist.

Yarns can also be twisted together to make larger yarn strands for a different look. 

Yarn can be dyed when it is extruded in the case of synthetic fibers, after it is made into yarn, or after it is constructed into carpeting.

YARN COUNT

 

 

 

 


 

Yarn count is basically the number of fibers in the strand of yarn. 

With fine yarn, it will be possible to implant a large number of tufts per square meter; the coarser the yarn, the fewer the number of tufts.

Yarn count – selected to take account of other considerations such as appearance, comfort and use determines carpet density.


PILE HEIGHT

Pile height means the thickness of the pile above the primary backing. It is measured in millimeters. In some structures, particularly cut pile, the pile height may be substantial, 10 to 20 mm, or more. Obtaining pile thickness is technically easy as it is merely a question of putting more material into the pile height.

 

The problem is to build a pile which can maintain its initial pile height for a reasonable length of time without premature flattening. As a general rule, the higher the pile, the greater the number of stitches and density necessary.

When considering pile height, it is important to consider the pile weight and to analyze how this weight is distributed between the height, the gauge and the number of stitches. Pile height must work in conjunction with the gauge and the number of stitches.

 

The weight within the backing is of interest as it affects tuft bind. However, the only meaningful value is the usable weight, since this makes up the wearing surface.

PILE WEIGHT

Pile weight is the total weight of the material used to form the pile itself. In other words it is the weight of the yarns in the carpet.

The weight of the yarn itself is not all you should be concerned with. What is more important is how that yarn is composed into the carpet face. This can be understood better by comparing 4 factors – yarn count, height, gauge and stitch rate. 

Luxury carpets with a high, very dense cut pile use more yarn than low pile height, loop carpets with medium gauge and stitch rates.

Pile weight is expressed in two ways, and measured in grams per square meter.

  • TOTAL weight: the mass of material in the pile including the part within the backing.
  • USABLE weight: the mass of material located above the primary backing, and which can be measured by shearing.

Gauge & Stitch Rate

 

Top: sectional view of a fine gauge. Bottom: sectional view of a coarse gauge

Top: sectional view of a high stitch rate. Bottom: sectional view of a low stitch rate.

GAUGE, STITCH RATE AND DENSITY

Gauge is the distance between the tufting needles. On its own gauge is not a sufficiently accurate indicator of pile density. 

If the yarn count used with the 5/64th" gauge is, for example, 1 200 Dtex, and the same yarn is used with a 5/32nd" gauge, it is obvious the pile will have a lower density as it will have only half as many rows and will thus contain less pile material.

If, on the other hand, a 2 400 Dtex yarn is used with the 5/32nd" gauge, although there will be only half the number of rows each tuft will be twice as thick. In this case, density – and weight – would be identical.

Any analysis of density must therefore consider both the gauge and the count of the yarn, as shown in the facing diagrams.

It might also seem obvious that the greater the number of tufts  the higher the density.

For identical gauges, this is perfectly true. Between two 1/10 g carpets with the same pile height, made with the same yarn and having respectively 156 000 and 187 000 tufts per square meter, this is a significant comparison to make. The higher number of tufts in the second carpet means that the stitch rate is higher, giving a higher pile weight and density.

If the gauges are different, however, this comparison is meaningless, as the number of tufts is a function of the gauge. A coarse gauge means a small number of thick tufts; a fine gauge means a high number of fine tufts.

1) A good combination of a fine yarn and a fine gauge giving a well constructed dense carpet

2) A good combination of a coarse yarn and a coarse gauge, giving a well constructed carpet

3) A bad combination of a fine yarn and coarse gauge, giving a badly constructed carpet which is too open and not sufficiently dense.

 

 

 

 
Gauge|

(inches)
Gauge

(in mm)
Needles per meter
5/16

1/4

3/16

5/32

9/64

1/8

1/10

5/64

1/16

7.93 mm

6.35 mm

4.76 mm

3.97 mm

3.57 mm

3.18 mm

2.54 mm

1.98 mm

1.59 mm

126

157

210

252

280

315

394

504

630

The principal gauges are shown above.

GAUGE & STITCH RATE

Pile stitch rate is measured in two ways: across the width and along the length of the carpet.

Across the width

On tufting machines the space between the needles is defined by precise standards. The space between needles is given in fractions of an inch (1 inch = 25.4 mm). This is called the GAUGE.

If the gauge is known, the number of needles per metro can be calculated using the following formula:

1,000/g x 25.4 = no. of needles/metro

example: gauge = g = 5/32nds
1 metro = 1000 mm

(1O00 x 32) / (5 x 25.4) = 252

Depending on the gauge, tufting machines comprise a number of needles in a range from 126 to 630 in a 1 metro width, and from 504 to 2520 in a 4 metro width.

Each needle inserts a tuft which corresponds to one stitch. This means that, with a 1/10th gauge, for example, for every metro there will be 394 needles so 394 tufts inserted.

Changing the gauge allows the number of tufts to be varied to produce highly differing structures, from the finest to the coarsest, in varying densities, depending on the appearance and the quality required.

The foregoing introduces the notion of yarn count, as it is impossible to dissociate gauge and yarn count. Yarn count should increase as the space between the needles increases. If the yarn is too fine for the gauge, the number of rows will be insufficient, resulting in an open, weak pile, with low resilience and an unattractive appearance.

Along the length

Tufts along the length are expressed as the number of stitches per linear meter or decimeter. Stitches are determined by the rate at which the backing, in which the rows of tufts are inserted, is fed through the tufting machine.

Generally, stitch rates should be the same longitudinally as laterally. If the gauge is, for  instance, 1/8th", this means 315 tufts per meter; the longitudinal stitch rate should be approximately the same. If it is lower, the pile will be excessively open and will appear furrowed. Frequently, however, it is higher as this gives a higher pile density.

Pile density stems from the number of tufts per meter and is calculated by multiplying the number of rows (gauge) by the stitch rate. Whilst the gauge is normally given, the number of stitches is frequently not supplied although it is an important item of information.

To calculate the stitch rate, divide the total number of tufts per meter  by the number of rows. For example, a 100 000 tufts/m' floorcovering with a 1/8" gauge has 315 rows. 100 000 divided by 315 = 317 stitches/meter – giving an appropriate construction.

 

   

Backing

Carpet Backing is a woven sheet of cloth like heavy material that is used to build tufted carpet. It is the medium the needles stitch through when tufting.  Backing has normally been composed of jute material that looks a lot like the old burlap bags that used be common. 

The sheet of backing that the tufting occurs in is the primary backing. After the yarn is tufted into the carpeting the material is coated with latex or another type of glue and a second sheet the secondary backing is adhered to the first. This helps lock all the fibers in place and stiffens the carpet and makes it more dimensionally stable.

Newer backing material is made of nylon or polypropylene. These are less likely to rot in case of damp conditions and do not give off tannin when wet , that can cause browning out and permanent staining to the face yarn.

 

Installation

 

Experienced Contractor

Always review the qualifications of the installer provider to be sure that they have a good track record and have performed in your local area.

Padding (Cushion)

Padding is an important foundation to your new carpet. Cheap padding can cause your expensive carpet to wear out faster, so you won't be saving anything. The Carpet and Rug Institute guideline for carpet pad is that it should never exceed 7/16 inch in thickness.

When you walk on your carpet, it bends beneath your weight. The thicker the pad, the more the carpet flexes beneath your weight. The thicker the pad, the faster your carpet wears out, so get the thinnest, most dense pad you can. I recommend a 3/8 inch, 8 lb. density rebonded urethane pad.

Certified Installer (CRI guideline)

It is important that the installer is certified, and knows and adheres to the CRI guidelines. As an inspector, the most common installation-related defect I see is failure to use a power stretcher to install the carpet. A knee kicker is not a power stretcher. A power stretcher is a device that extends from one wall to the other with a lever utilized to accomplish the stretch. Restretching can be expensive, so make sure your original installation is done with a power stretcher.

Face Fiber

The fiber of the nap in your carpet is of great importance. The most common carpet fibers are nylon, wool, polyester, acrylic, and olefin (Polypropylene). Currently, nylon makes up 60% of the market, olefin 30%, polyester 8%, acrylic 1%, and wool 1%.

The use of olefin is gaining in popularity, but it has many drawbacks. It looks great in the showroom, just like nylon, but it has extremely poor resilience and will "ugly out" due to matting and crushing in a very short time. It also has a very low melting point, and will melt from the friction of dragging a piece of furniture across it. The retailer may tell you that it is easy to clean olefin, and compared to silk, it is. But compared with nylon it is very difficult to clean, especially if you have greasy or oily stains. It is also difficult to vacuum hair, lint, or thread from olefin. I'm not even going to mention any advantage to olefin, except its resistance to bleach, because its disadvantages so far outweigh the advantages. It's just not worth your investment - stay away from olefin (polypropylene).

Health Data:

Some people experience allergic or flu like symptoms, headaches, or respiratory problems which they associate with the installation, cleaning, or removal of carpet or other interior renovation materials. If these or other symptoms occur, notify your physician of the symptoms and all materials involved.

Sensitivity:

Persons who are allergy-prone or sensitive to odors or chemicals should avoid the area or leave the premises when these materials are being installed or removed.

Note:

You can reduce your exposure to most chemical emissions when carpets and other interior renovating materials are installed, cleaned, or removed by increasing the amount of fresh air ventilation for at least 72 hours. (See Installation and Maintenance guidelines or ask for Owner's Manual.)

Basic Installation Guidlines:
 

  • Vacuum old carpet before removal
  • Vacuum floor after carpet and pad have been removed
  • Always ventilate with fresh air (open doors and/or windows, use exhaust fans, etc) during all phases of installation and for at least 72 hours thereafter.
  • If adhesives and/or pad are used, request those which have low chemical emissions
  • Follow detailed installation guidelines from manufacturer or from carpet and rug institute.

 

The manufacturer of this carpet participates in a program which seeks to develop ways to reduce emissions by testing samples of carpet. With fresh air, ventilation, most carpet emissions are substantially reduced within 48-72 hours after installation.

 

 

 

 
 
      © COPYRIGHT  INTERIOR TECHNOLOGIES